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When Tinto Brass saw Frank Finlay portray Antonio Salieri on stage in Peter Shaffer’s Amadeus, he instantly decided that he had found the perfect actor for the part, and so he rewrote the part of Nino to make him English.Perhaps that’s why the bulk of the film was shot in English.You can choose your language settings from within the program.The irony of Caligula is that, while it besmirched Brass’s reputation, it eventually opened doors.The Key is the most emotionally complex film I’ve ever run across — and the most intricately scripted, designed, and directed.(After all, Brass had 18 years to contemplate these ideas and continually rewrite the script.) The result is a film that goes beyond being profoundly heart-rending.

But I guess I can say that it is a parable about the virtue of jealousy — and about a loving marriage that never reaches full satisfaction until immediately before death. Frank Finlay and Stefania Sandrelli obviously enjoyed their rôles as hoteliers who don’t truly discover each other until after about twenty years of marriage, when, in his effort to break down his wife’s conventional modesty, Nino instigates Teresa’s sexual interest in their daughter’s fiancé.

The reason is surely that Italian audiences will not tolerate a foreign accent in a movie.

Why, I don’t know, but they don’t, and that’s all there is to it.

I suspect it looks almost exactly the way Brass imagined it. It consists entirely of the diary entries of a husband and wife, revealing their thoughts.

We can only infer their motives and the events of their lives.

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